Liana Leßmann is a Bremen-based clarinet player, born in 1994.

Sought after as a soloist, chamber musician and orchestra player, Liana has performed widely in Europe and Asia. Highlights include concerts in the Berliner Philharmonie, the Suntory Hall Tokyo and the Teatro Comunale Luciano Pavarotti Modena .

As soloist, Liana has performed Weber’s and Mozart’s clarinet concertos and John Adams’ “Gnarly Buttons” with orchestras such as the Kammerorchester Hannover, the Anhaltische Philharmonie Dessau and the Heidelberger Sinfoniker.

As a two-year-member in the Karajan-Academy of the Berlin Philharmonic Orchestra Liana played various concerts alongside with the musicians of the Berlin Philharmonic Orchestra, enjoying the support and guidance of the orchestra’s members. Since successfully completing the Academy, Liana has been invited to perform as a guest with the orchestra several times.

In demand as a substitute in orchestras Liana has also appeared with the Staatskapelle Dresden, Kammerakademie Potsdam, Düsseldorfer Symphoniker, the Deutsche Kammerphilharmonie Bremen, Deutsches Symphonie Orchester Berlin and the Orchestra Da Camera Di Mantova. She played under many notable conductors including Sir Simon Rattle, Paavo Järvi, Kiril Petrenko, Valery Gergiev, Andris Nelsons and Alan Gilbert.

Liana has been invited to international festivals like the Pacific Music Festival in Japan, the Krzyzowa Music Festival in Poland and the IMPULS Festival for contemporary music. Since 2016, she is a member of the chamber orchestra ensemble reflektor.

As a committed chamber musician, Liana has collaborated with Sabine Meyer, Reiner Wehle, Dag Jensen, Daniel Sepec, Simon Bernardini, Viviane Hagner, Naoko Shimizu and Janne Saksala among many others. In 2018 she was a Co-Founder of the ensemble “Pacific Quintet”, a woodwind quintet based in Berlin.

Liana has been awarded prizes in several competitions as both a soloist and with the Pacific Quintet, including the 2nd Prize at the “Carl Nielsen International Chamber Music Competition 2019” in Copenhagen, the “Ruhrpreis for Art and Science”, the 1st prize in the north district “Lions Music competition” and prizes for clarinet and piano at “Jugend musiziert.”

Born in Bremen, Liana began to study clarinet at the age of 16 in the Folkwang University of the Arts with Andreas Merten. She continued her studies at the Musikhochschule Lübeck with Sabine Meyer and at the Universität der Künste Berlin with François Benda. In 2018, she moved for one year to Genève to study with Romain Guyot. Since 2020, she has been pursuing a Master’s Degree in Chamber Music with the Pacific Quintet at the Hanns Eisler School of Music Berlin with Martin Spangenberg.

In addition, she has taken part in master classes with Karl Leister, Ralph Manno, Jens Thoben, Eduard Brunner, Alessandro Carbonare, Eberhard Feltz and Kilian Herold among others.

In 2021 Liana won the 1st prize in the music competition “Ton & Erklärung” (Sound & Explanation) with the Pacific Quintet.

In 2022 Liana was playing as Co-Principal Clarinetist in the Symphony Orchestra of Düsseldorf.

Since the beginning of season 2022/23 Liana is a member of the Bremer Philharmoniker.

„This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before.“

Leonard Bernstein

1st prize winners of the “Ton & Erklärung 2021” (Sound & Explanation) Competition of the Association of Arts and Culture of the German Economy and 2nd prize winners of the “Carl Nielsen International Chamber Music Competition 2019” in Copenhagen, the Pacific Quintet celebrated their debut concert in the Chamber Music Hall of the Philharmonie Berlin in 2019.

The Pacific Quintet met in 2017 at the Pacific Music Festival, founded by Leonard Bernstein in Sapporo, Japan. Inspired by the passionate attention to music, the intercultural exchange and the respectful company with each other at the festival, the five musicians decided to carry Bernstein’s spirit to Europe and founded the Pacific Quintet in Berlin. Because its members hail from Honduras, Japan, Russia, South Korea and Germany, tolerance and inclusion is of utmost importance to the Pacific Quintet. This ensemble strives to use music as a means of communication in order to make the wealth of different cultures, origins and traditions visible to all, amidst a society in which fear of the foreign and blanket condemnation based on stereotypes are gaining more relevance again.

The members of the Pacific Quintet studied at the Hochschule für Musik Hanns Eisler Berlin, the University of the Arts Berlin and the Karajan-Academy of the Berlin Philharmonic Orchestra. Renowned artists such as Christian Wetzel, Nick Deutsch, Christian-Friedrich Dahlmann and Wenzel Fuchs have supported the Ensemble with their guidance. Since 2020, the Pacific Quintet has studied chamber music with Martin Spangenberg at the Hochschule für Musik Hanns Eisler Berlin.

In addition to their dedication to chamber music, the musicians are performing with many orchestras including the Düsseldorfer Symphoniker, the WDR Symphonieorchester, the Bremer Philharmoniker and the Japan National Orchestra.

Aliya Vodovozova (Flute), Fernando Martinez Zavala (Oboe), Liana Leßmann (Clarinet), Kenichi Furuya (Bassoon), Haeree Yoo (Horn)

www.pacific-quintet.com

  • Sun, 15. December 2024

    19:00h
    Dresden
    Semperoper

    Prokofjew // Die Liebe zu den drei Orangen

    Staatskapelle Dresden, Erik Nielsen
  • Sun, 22. December 2024

    20:00h
    Istanbul
    CRR Concert Hall

    T.b.c.

    Pacific Quintet
  • Thu, 2. January 2025

    13:00h
    Dresden
    Semperoper

    Prokofjew // Die Liebe zu den drei Orangen

    Staatskapelle Dresden, Erik Nielsen
  • Fri, 3. January 2025

    19:00h
    Dresden
    Semperoper

    Prokofjew // Die Liebe zu den drei Orangen

    Staatskapelle Dresden, Erik Nielsen
  • Sun, 1. December 2024

    17:00h
    Herzog-Friedrich-August Saal
    Erik Satie und seine Zeit – Avantgardist und Schelm, Minimalist und Melancholiker

    Poulenc // Sonata für Klarinette und Fagott
    Debussy // Syrinx für Flöte
    Ibert // Cinq pièces en trio
    Milhaud // „La Cheminée du Roi René“ op.205

    Pacific Quintet
  • Fri, 15. November 2024

    19:30h
    Leipzig
    Gewandhausorchester
    Symphoniekonzert

    Webern // Passacaglia op. 1
    Berg // Violinkonzert
    Wagner // Vorspiel zu “Tristan und Isolde”
    Schönberg // “Erwartungen” op. 17

    Gewandhausorchester Leipzig, David Robertson
  • Thu, 14. November 2024

    19:30h
    Leipzig
    Gewandhausorchester
    Symphoniekonzert

    Webern // Passacaglia op. 1
    Berg // Violinkonzert
    Wagner // Vorspiel zu “Tristan und Isolde”
    Schönberg // “Erwartungen” op. 17

    Gewandhausorchester Leipzig, David Robertson
  • Thu, 26. September 2024

    19:30h
    Essen
    Philharmonie
    Symphoniekonzert

    Tschaikowsky//Rachmaninow//Ravel

    Essener Philharmoniker, Andrea Sanguineti
  • Sat, 14. September 2024

    16:00h
    Waren (Müritz)
    Produktionshalle der MMG
    Kammermusik Ausgezeichnet! Gala der neuen Preisträger:innen

    Français//Say t.b.c.

    Pacific Quintet
  • Mon, 2. September 2024

    18:00h
    Berlin
    Japanisch-Deutsches Zentrum
    De Memorias

    Mozart//Barber//Léon

    Pacific Quintet
  • Fri, 30. August 2024

    19:00h
    Mülheim
    Saarner Dorfkirche
    Summer Music

    Barber//Léon//Nielsen

    Pacific Quintet
  • Sat, 13. July 2024

    20:00h
    Trier
    St. Maximin

    Dark Room: Ein Polarkonzert im Dunkeln
    Werke von Chopin, Glass u.a.

    Orchester im Treppenhaus
  • Wed, 10. July 2024

    15:00h
    Dresden
    Semperoper

    Hector Berlioz//Benvenuto Cellini

    Staatskapelle Dresden
  • Tue, 2. July 2024

    19:00h
    Dresden
    Semperoper

    Hector Berlioz//Benvenuto Cellini

    Staatskapelle Dresden